Funny is, of course, subjective. I find Woody Allen funny but there are plenty of people who find him about as amusing as being slowly asphyxiated in plastic bags from CVS. Still, I'll hazard to guess that there is no one who will find Melissa McCarthy obnoxiously singing along to Kelis' not-at-all-current "Milkshake" funny. Especially when 'Identity Thief' - a new "comedy" with McCarthy and Jason Bateman - goes to quite successful lengths to make you HATE her character. And you just might wind up hating this movie too.
For anyone who grew up wanting to make music during the first four and a half decades of the rock era, it's hard to overestimate the importance and mystique of the recording studio.
In 1982, Walter Hill directed '48 Hrs.,' with Nick Nolte as a loose cannon cop and Eddie Murphy as a fast-talking criminal. The oil-and-water chemistry worked, the movie was a hit, and an entire genre -- the buddy cop movie -- was born. Hill has had a long a varied career in Hollywood, directing tough, lean action movies and Westerns and producing the 'Alien' franchise, but '48 Hrs.' and the myriad imitators it birthed will always be his biggest legacy. That fact alone makes his new movie, 'Bullet to the Head,' interesting, since it's Hill imitating himself, with his first return to the genre since 1990's 'Another 48 Hrs.' The mixed results probably won't inspire a resurgence of buddy cop movies, but they're not terrible either, with enough Walter Hill flair to make some moments quite memorable, even if the movie as a whole has its problems.
'Warm Bodies' is a supernatural teen love story with a brain. (Excuse me. . .BRAINS!) It is hardly a memorable film, and certainly a step back for director Jonathan Levine after the masterful '50/50,' but it's cute, and if you are a high schooler looking for a date flick or slightly older and chaperoning your niece you could do a hell of a lot worse.
'Parker' is not Jason Statham's best movie, but it may have his defining onscreen moment, a perfect, succinct summation of everything pleasurable about his onscreen persona. His character, a thief and con man named Parker, has returned to his hotel room in Palm Beach. He's surprised by an assassin; since this is a Jason Statham movie, an elaborately choreographed fight scene ensues.
You don't have to be on drugs to enjoy 'John Dies at the End' -- I wasn't and I did -- but it certainly wouldn't hurt. Its frenzied, cockeyed logic, brain-twisting philosophical discussions, and bargain basement psychedelic special effects would all look better high. 'John Dies at the End' is kind of like 'Ghostbusters' if 'Ghostbusters' was about a pair of slackers who take weird drugs to see and kill ghosts rather than a bunch of Columbia University scientists. Through their extensive use of a mysterious and possibly sentient substance known as "Soy Sauce," Dave (Chase Williamson) and John (Rob Mayes) are able to see into the future, the past, and alternate universes, and even to commune with the dead. They occasionally save the world, pharmacological stupors permitting.
In his recent autobiography, Arnold Schwarzenegger describes his part in 'The Last Stand' as "a great, great role." He plays Ray Owens, a former LAPD cop who retired to his hometown in Arizona after his partner got crippled in a botched drug raid. Now the local sheriff, he and a few bumbling deputies are all that stands between the Mexican border and a ruthless drug kingpin. "The sheriff knows if he succeeds," Schwarzenegger writes, "it will mean everything to the town. His reputation is on the line. Is he really over the hill or can he do it?"
Dirty Harry would love 'Gangster Squad,' a movie about cops who operate so far outside the law they make Clint Eastwood's signature detective look like a pencil-pushing dweeb. Assembled by LAPD police chief Bill Parker (Nick Nolte), and supposedly inspired by a true story, the members of the so-called Gangster Squad operate as judge, jury, and executioners. They don't arrest their targets; they "wage war" against their enemy, mob boss Mickey Cohen (Sean Penn). In their quest to bust up Cohen's rackets, the Gangster Squad brandishes about a billion guns and not a single badge. Hell, even Dirty Harry waited until the end of his movie to toss his away.
It is every 16 year-old's rite of passage to sneak into an R-rated slasher, get grossed out by blood, turned on by boobs and shout back at the screen. To that end, 'Texas Chainsaw 3D' is a worthy claimant to the franchise.
I was worried 2012 would end and there wouldn't be a clear winner for the prize of Worst of the Year. 'Parental Guidance' was worth waiting for. It isn't just the worst film of 2012, it's the worst film of 2011 and probably 2013, too. 'Parental Guidance' is a cinematic hemorrhoid throbbing on the screen, its only purpose in life to cause pain and discomfort.